Pavilion Arts Centre
Martin Carthy and Dave Swarbrick
3 Oct 2015
Folk legends Martin Carthy and Dave Swarbrick played an important part in the shake-up of British folk music in the middle to late 60s. Their experienced approach to their art lacks none of the fervour of their early days, and brings a maturity born of many years living with the music that is an integral part of their beings.
For more than 40 years Martin Carthy has been one of folk music's greatest innovators, one of its best loved, most enthusiastic and, at times, most quietly controversial of figures. His skill, stage presence and natural charm have won him many admirers, not only from within the folk scene, but also far beyond it. Trailblazing musical partnerships with, amongst others, Steeleye Span, Dave Swarbrick and his award-winning wife Norma Waterson and daughter Eliza Carthy have resulted in more than 40 albums, but Martin has only recorded 10 solo albums, of which the much anticipated Waiting for Angels is the latest.
Dave Swarbrick is an English folk musician and singer-songwriter. He has been described by Ashley Hutchings as 'the most influential [British] fiddle player bar none' and his style has been copied or developed by almost every British, and many World folk violin players that have followed him. He was one of the most highly regarded musicians produced by the second British folk revival, contributing to some of the most important groups and projects of the 1960s, and he became a much sought-after session musician, which has led him throughout his career to work with many of the major figures in folk and folk rock music.
His work with Fairport Convention from 1969 is usually credited with leading them to produce their seminal album Liege and Lief (1969) which initiated the electric folk movement. This, helped create greater interest in British traditional music and was highly influential within mainstream rock. After 1970 he emerged as Fairport Convention's leading figure and guided the band through a series of important albums until its disbandment in 1979.
Since then he has played in a series of smaller, acoustic units and engaged in solo projects which have maintained a massive output of recordings, a significant profile and have made a major contribution to the interpretation of traditional British music.
Dates and Prices
Dates: Saturday 3 October 7.30pm
Matcham: £2.25 off
Groups (8+)/Senior/Discabled: £1.75 off